Showing posts with label Drumbeat in Our Feet. Show all posts
Showing posts with label Drumbeat in Our Feet. Show all posts

Monday, January 21, 2013

Top Five Posts at Picture Books & Pirouettes


A lot of creative movement teachers have "circle time" at the beginning of class to give the children a chance to share any special thoughts they have before class and to help set up a structure and collaborative tone for the rest of the class. Over at the incredible dance resource Dance Advantage, Nichelle established a circle time of her own a few months ago so her readers could also share their thoughts on a variety of dance topics.

This month, Nichelle is asking bloggers to describe five top posts from their own blogs and why those posts "rock." This sounded like a fun exercise, especially since I haven't spent too much time reflecting on how Picture Books & Pirouettes has evolved since I started it. Here's a bit of what I had to say about the blog in my very first post back in August 2010...

My plan is to blog about a wide variety of picture books that are in some way related to dance...And, since I am still new to this whole blog thing, I'm not yet sure what other directions it might take...

It is reassuring to look back at this and realize I have stuck to my plan of blogging about picture books related to dance. But now -- 122 posts later -- it is also rewarding to be able to highlight a couple of those "other directions" my blog has taken in the last two and a half years...




This post describes the picture book Miss Tutu's Star by Leslea Newman and Carey Armstrong-Ellis. The book is such a wonderful combination of poetry, humor, sweetness, and dance. It introduced me to an author and an illustrator I hadn't heard of before and has become one of my favorite picture books with a dance theme. 



This post about the picture book Drumbeat In Our Feet was one of my most personal posts, as the book reminded me of some of my own life experiences related to Africa and African dance. It also resonated with some of my readers and elicited comments from people I don't often hear from through my blog. 

We're Dancing on a Bear Hunt! 
(September 2011)


One of my favorite "other directions" the blog has taken is my monthly collaboration with Maria's Movers. For "Read It. Move It. Share It," each month I recommend a book for Maria to use in her creative movement classes, and then we share our experiences with the book. We're Going on a Bear Hunt turned out to be a popular book among dance teachers, and I love how Maria used it in her classes!

Read & Romp Roundup 
(January 2012)


Exactly a year ago, I started hosting a monthly roundup of blog posts related to both picture books or children's poetry AND dance, yoga, or other forms of movement. I was really happy with the response, especially among other bloggers who integrate children's literature and the arts. I love interacting with others who share my passions, so I would have to say that the inaugural "Read & Romp Roundup" is another of my favorite posts!



I've had the privilege of interviewing several amazing children's book authors on my blog, but my interview with Allegra Kent stands out in my mind. It is the only interview that I've conducted over the phone (rather than over email) for the blog, and I so enjoyed learning in person more about Allegra's history as a Balanchine ballerina and how she became the author of her debut picture book Ballerina Swan. 

Saturday, July 16, 2011

The History and Power of African Dance

I can hardly believe it's been more than two weeks since I've blogged. I think that's a record for me...but one I won't be trying to break any time soon. Because Picture Books & Pirouettes has been so quiet lately, I thought I'd start this post off with a bang. Or maybe I should say a boom--the boom of an African drum!


In 1990, Angola dancer and choreographer Julio T. Leitao founded Batoto Yetu--the children's African dance troupe featured in the above video. The troupe is based in New York City, but the 4- to 17-year-olds who make up the company travel throughout the world sharing the incredible energy and rhythm of their art form.  

With the publication of Drumbeat in Our Feet by mulicultural publisher Lee & Low a few years back, dancer and choreographer Leitao also became a children's author. Leitao and author/illustrator Patricia A. Keeler teamed up to create this beautifully poetic picture book that captures the rich history and traditions of African dance.


Thinking about the ancestors once young like us--
Dancing in African soil
Dancing under African clouds
Dancing in African rain
Breathing in African air

Drumbeat in Our Feet contains plenty of nonfiction material, including information on the origins of African dance, the different types of African dances, the role of spirits and ancestors, costumes, and of course African drums.

Just as African dance styles vary between regions of the continent, so do drum styles. For instance, the drums in central Africa are conical shaped, held between the knees of the drummer. In western Africa, some drums are shaped like hourglasses with cords attached to each end. The drummer can then squeeze the cord and change the pitch of the drumbeat by tightening the goat skin that covers the top of the drum. Drumbeats carry the rhythm of the entire dance, but a special patterns of beats called a "break" also helps the dancers know when to start dancing, stop dancing, or change to a new dance step. 

Listen up! The drums are talking!
Listen for the drum break.
Hear the beat: Doom, doom, da!
Tet da-da-dum, Tet da-da dum, Doom, doom, da!
Hear the drum break? Dance, dance, dance!

What I really like about this book is that the left-hand side of each full-page spread includes the nonfiction information, while the right-hand side contains a more lyrical interpretation of the material. I also love Keeler's illustrations, which are full of both rich earthy colors and more vibrant colors, especially on the costumes of the dancers, who are all children. 

It turns out that Batoto Yetu founder Leitao and his family fled Angola during the civil war in the 1970s, and Leitao had a tough childhood living as a refugee after that. According to the back matter of the book, music and dance are part of what kept him going during those difficult years. 

I recently had the great fortune of being able to spend a week in Rwanda--another African country that has been deeply changed by civil war. Despite its history of war and genocide, Rwanda has made astounding progress over the years and seems to have such a wonderfully peaceful aura. In some small way, I like to think that dance has played a part in this.

In 2009, Ballet Rwanda was formed to encourage creativity among young children and help develop the arts in Rwanda through dance. And years earlier, the nonprofit Association Mwana Ukundwa was created to help Rwandan orphans navigate their journey to adulthood. The following video shows children from the association performing an African song and dance. I found it so beautiful and mesmerizing, so was compelled to share it with you....


We are the children of the ancestors, singing the songs, dancing the steps to a story that never ends. African rhythm in our steps. African drumbeat in our feet!
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